A family in the countryside we see here, one that also has neat jet propulsion: the film begins with a crash. Since a truck fatally evades a black cat running into the street, the parents are over. Here comes the older sister, happy and talent-free acting stars from Tokyo to home because they run out of money for her acting classes gets sent. Her little sister, a secret manga illustrator with an asthma problem, and her older half-brother (Abuse of his wife) they expect with mixed feelings because everybody has his body in the basement. And so the film soon turns at full speed when the sister egomaniac the rural quiet start to fly through each other ...
Yoshida succeeds excellent, a quiet and hysterical at the same time, a sad and happy that they create a lovely and exciting film. Also a great praise is due to the convincing actors, especially the protagonist, who know all of them represent the fractures in her characters believable. Also, the humor, which often is combined with hatred, violence, envy and jealousy is never an end in itself for a cheap Lacher abused - nor he disavowed his characters. Satisfaction of all acts, just as much as necessity condensed and with a ticking hilariousness provided that the film rises above the normal insanity of everyday life and turns into a staunendmachenden prodigy. One must not, it shows a quick, laugh, cry, sympathize, without caring maipuliert occurs.
that read the film as well as family history, as a coming-of-age drama, and art commentary can, perhaps even going social criticism with an ironic dig at an inhuman capitalism and the exploitative culture industry while working as Metareflexion about filmmaking (and this never raises) is already a very fine, rich potpourri of themes and motifs - all the more surprising that it all works so well and fits together. A great "little" film by a former advertising professional, who also won his debut in this film the "best new director" award at the 29th Yokohama Film Festival. A surprisingly great movie.
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